I love it how things just sometimes come together. Three colors on white.
Up and running slowly but surely this fine 2017 season. I kicked things off, oiled things up and dusted of the cobwebs (from the elbows, that is) with a little test run of an old favorite.
In case you wanted know, here are a few things I learned printing that day:
- Printing with art stretched on wooden frames is really frustrating. After washing the ink out of the frame a few times, the wood begins to bow and warp making it quite difficult to get a clean, even pull of the squeegee. And this is a treated frame, too. Maybe it’s just old. Aluminum frames are much better in this regard – and much lighter, too.
- Printing with copper (a mixture of gold and red and perhaps something else) thickens and gunks up your screen rather quickly. A bit of humidity certainly doesn’t help the situation. But I was surprised at how quickly said situation deteriorated.
This season is shaping up to be a little more unusual – pleasantly and surprisingly so – than seasons past. I’m rolling with it and I think the body of work will reflect this embrace of the fluidity.
More to come.
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