Bing & Ruth, the project of New York-via-Kansas composer David Moore, delivers ambient compositions centered on piano; instrumental pieces that manifest themselves in sounds that coalesce and slowly swarm and overwhelm. Ethereal compositions like “Starwood Choker” wash over in waves, swelling into a near-droning white noise that leaves you disoriented and kind of numb. These moments mostly reach a point where you have no choice but to sit back, surrender and find solace in your own head. Yet in an instant, Moore can pull out the tide and leave you beached amid the white space of a spare composition like “To All It.” Either way, it’s a good place to be. The world around us can be needlessly loud, nagging and overbearing. Retreating into the embrace of something warm and calm and ambiguous is often necessary to simply carry on. Moore carves out the space and conditions perfect for contemplation, inviting you in to contribute your own thoughts and feelings.
For us, No Home of the Mind is the perfect soundtrack to a calm, cold, quiet winter walk in the woods. In my mind, the day is still and the sun has nearly set. It’s not yet twilight, but will be soon. The cold air numbs your face and it’s getting hard to see, but the scene is so peaceful that you can’t yet bear to break the spell. Interestingly, I’m reminded of the painting February by William Trost Richards, a work in the collection of the Pennsylvania Academy of the Fine Arts. To my eyes, it perfectly captures the atmosphere of the album, for much like a moment connecting with nature, this is a soundtrack that revels in simplicity and beauty and rewards you for paying attention and just being there.
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